Overcast to Exhibit at StartUp Grind Global 2020

300 startups at StartUP Grind Global 2020

We’re revved and ready to go! Silicon Valley, here we come! 

StartUp Grind Global 2020

We’re delighted to have been selected from start ups all over the world to exhibit at the StartUp Grind Global Conference 2020. 10,000 people from around the globe are expected to converge on the Fox Theater Redwood City in Silicon Valley on 11th and 12th February for two days of nonstop education, inspiration, and invaluable networking.

Come and meet us!

Overcast CEO Philippe Brodeur and CTO Zsolt Lorincz will be there and would be delighted to show you how easy managing video content can be. We offer Video Content as a Service (VCaaS), which facilitates you to manage video (and other digital content) from a single platform. Our technology doesn’t require technical knowledge to use it and it will easily integrate with your existing technology. We use artificial intelligence to search video clips and our solution eliminates unnecessary duplication. The best part is you’ll get your video content to market faster and you can scale up your video strategy as ambitiously as you like.

Plan ahead

So to find out how we can save you time, money and stress managing video, why not email Philippe to arrange a meeting: philippe@overcasthq.com

Latest Blog Posts

Exercising Your Inner Hollywood: How Video Content-as-a-Service Helps Organisations Scale

The explosion in video creation and distribution brings significant challenges in terms of managing it, including storage, collaboration, encoding formats, file size, duplication, distribution, integration and scalability.

The answer to all of the above — and the secret that will save you from major headaches — is VCaaS: Video Content-as-a-Service. In this blog, we look at what VCaaS is and how it can solve your problems.

DAM! Enterprise Video Is So Popular — Part 3

As the use of video in business continues to increase, enterprises need to have a growth strategy in mind in addition to fulfilling their current needs. So, they need to look for a platform that provides extensive management capabilities to streamline their process, combined with the facility to scale up video production in the future. The Aragon Research Globe for Enterprise Video 2019 identifies the key capabilities of a DAM identified in this blog post as essential.

DAM! Enterprise Video Is So Popular — Part 2

The Netflix generation is consuming media almost incessantly during their leisure time and they expect the same user experience from media delivery at work. The content must be compelling, it must be ‘of the moment’, and it must be effortless to access. So UX is critical. Companies that are publishing content, whether that’s podcasts or videos, need to ensure the platform they choose to deliver it provides a streamlined experience.

Live event capture is one of big trends now, whether it’s a town hall meeting, a university lecture or a corporate event.

DAM! Enterprise Video Is So Popular — Part 1

Enterprise video is proving to be a critical asset to the digital enterprise and is on a collision course with digital asset management — that’s one of the key findings of the Aragon Research Globe for Enterprise Video 2019. 

Video is proving its value to the enterprise in nearly every department and every use case. However, many enterprises are still struggling to make the shift. But with video use continuing to expand and more devices capable of capturing video, there’s an increased demand to manage video.

Content: The Localisation Challenge

In this world of streaming video, the demand and opportunity for content targeted at global markets is continuing to skyrocket. But the total money available in those markets is lagging behind. One of the key challenges is how the media industry versions and localises content.

What do these terms mean? Most of the content produced has to be versioned for the various platforms and services on which it will be distributed. Most of it will also be ‘localised’ — that is, prepared for consumption in another territory — this can include adding foreign language subtitles and soundtrack, and re-editing to comply with regulatory and cultural requirements.

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